When Elizabeth Panzer asked me for a harp piece, I came up with an idea for a big piece based on a poem by Linda Norton (the poet of Landscaping for Privacy) about knitting and the Aran Islands. I still plan to make that piece, but as the deadline neared, I realized I will need more time to write it, so instead I decided to work with a sweet redemptive pattern I had written as an underscore for an audiobook production of Gerald’s Game, one of Stephen King’s more horrific novels. The resulting piece is totally diatonic, doesn’t even require two octaves, uses standard minimalist variation techniques, and in virtually every way plays nice.
I think it’s actually a mean little thing.
There are two recordings available:
The harp version is recorded on Elizabeth Panzer’s CD, Dancing in Place.
A toy piano version (played by two people) is the title cut on twisted tutu’s CD.
Play Nice is part of my ongoing project, A Book of Days. You can hear the twisted tutu version by visiting December 5th.
Here is a score (.pdf) of the solo version.
Here is a score (.pdf) of the duo version.
The graphic is based on a drawing by Emma Grady Pawl.
And you are warmly invited to support this very low-key way of publishing:
Open Secrets was a semester-long project in spring of 1999 at RPI sponsored by Chris Jaffe, in which architect Malcolm Holzman and I worked with teachers and students in architecture and intermedia on “an investigation of the relationships between acoustics, architecture, and music and an exploration of spaces, both secret and revealed, natural and mediated.”
The core idea was to play with visually and sonically encoded versions of a text from Hebrews: “Now faith is the substance of things hoped for, the evidence of things not seen.”
It was a crazily ambitious and fun project! There’s a 1999-era website devoted to documenting our work together. It could use some updating, but it’ll give you an idea.
A musical translation of the Morse code version of the text was played by Kathy Supové on toy piano in an anechoic chamber hidden beneath a ramp.
You had to be there.
That score was turned into a cool little music video by Duff Dufresne, and can be seen and heard in A Book of Days, on 18 November. If you’d like to play the piece, in or out of an anechoic chamber, please get in touch with me!
I’ve posted a new piece called Play Like a Girl, a set of eight keyboard variations on the Bulgarian Women’s Chorus standard, Kaval Sviri. Some work well on grand piano, others on toy piano or celeste or harpsichord or other “girly” instruments, as you like. The variations can be played simultaneously or successively in any combination for a total of eight factorial versions of the piece. I am posting twelve different versions of the piece in A Book of Days, on the 13th of each month. You can listen to those to get a sense of the possibilities.
Play like the girl you are (or sometimes wish you were!)