Nicholas Horvath premieres Enough Holes

The French pianist Nicholas Horvath is performing the complete Piano Etudes of Philip Glass at Weill Hall on 9 January, alongside a selection of homages. I wrote Enough Holes for the project, and it will be premiered on this concert. Should be a very cool evening of piano music!

A Monthly Series of New Music From Avant Media – NYTimes.com

A Monthly Series of New Music From Avant Media – NYTimes.com.

A commemoration of what would have been John Cage’s 102nd birthday will open the season, with a roster of new-music stars (among them Eve Beglarian, Vicky Chow, Nick Hallett, John King and Mr. Gibson) performing Cage’s 1970 “Song Books” (Sept. 5). 

 

Grand Canyon Music Festival | “…. a treat for eyes and ears” – The New York Times The 31st Season

Grand Canyon Music Festival | “…. a treat for eyes and ears” – The New York Times The 31st Season.

 

Mary Rowell and the Guidonian Hand are heading out to Arizona next week to do The River Project on the Grand Canyon Music Festival. Two nights: 22-23 August, should be lots of fun!!!

Waiting for Billy Floyd @ Miller Theater

The League-ISCM is playing Waiting for Billy Floyd on Monday 17 June up at Miller Theater, which should be very cool. They’re doing the images as well, so that’ll be a nice thing. Mississippi in upper Manhattan!BillyFloydBanner

Firehouse Festival

Mary Rowell and I will be participating in the Firehouse Festival at Sandra Sprecher’s amazing space on Saturday night 27 April. We’ll be doing some stuff you’ve never heard, along with some favorites. The whole lineup looks like big fun! Click the poster for more info and tickets.

firehousefest

Building the Bird Mound premieres Thursday

On Thursday 18 April, the Voices of Ascension under the direction of Dennis Keene will be premiering a new commission for chorus and organ called Building the Bird Mound. Click the photo for tickets and more information:

Building the Bird Mound was inspired by a visit I made to Poverty Point, a pre-historic mound complex in Northeast Louisiana, while traveling down the length of the Mississippi River by kayak and bicycle in the fall of 2009. Poverty Point, which was built sometime between 3500 and 1500 B.C. is structured as a series of long concentric half-circles that radiate from a center mound which is in the shape of a winged bird. When I stood in the center of the mound that November afternoon, I had a glimpse of something very powerful, a sense of being sheltered — held — in the body of this giant effigy bird, and close to the ghosts of all the people who had scrabbled in the dirt to pile up and carry soil, basket by basket, to build this sacred place. I knew then that I wanted to write a piece of music about this place and the people who built it, and Building the Bird Mound is the result of that afternoon’s inspiration.