Do Not Be Concerned is the first piece I wrote specifically for my ongoing project A Book of Days. At the time, I was imagining writing a piece for every preset in the General MIDI spec: this piece uses the Calliope Lead (patch #83) to accompany a recitation of a line from the Gospel of Thomas.
A live performance of the piece on synth requires a MIDI echo effect: I have a version implemented already in MOTU’s Digital Performer. If you need it in some other program, I can give you the specifications for the effect so you can set it up yourself.
You can perform the piece as a solo, reciting the text as you play, or you can do it as a duo: one person plays while the other speaks.
Do Not Be Concerned is part of my ongoing project A Book of Days. Please visit February 21st to listen to the piece along with my pre-911 slideshow of images of Soho.
And this is Nick Griffiths’ 2014 live performance on piano with no processing. It’s a very different take on the piece, and I’m delighted by it!
Machaut a Go-go adapts both the music and the lyrics of Machaut’s virelais “Moult sui de bonne heure nee” to the go-go style. Go-go is a jazzy offshoot of rap that fourished in Washington, D.C. a while ago. Chuck Brown and the Soul Searchers were my main inspiration in adapting the style. Machaut a Go-go was written in 1991 for Kitty Brazelton and her nine-piece band, Dadadah. Kitty made the translation and adaptation of the Machaut lyrics, as well as helping immeasurably to shape the piece. Many thanks to her and the other members of Dadadah for their work and musicianship.
Machaut a Go-go can be performed with an introduction: a performance of the original virelais (for voice and harp or guitar) that is rudely interrupted by the drummer, who leads in the other musicians. Here is a scan of the original score to use if you want to do this introduction.
Machaut a Go-go is part of my ongoing project, A Book of Days. You can listen to a Dadadah’s recording by visiting May 7th.
You can download a score of the piece here. You can purchase performance materials by clicking the link below.
And thanks for supporting this low-key way of publishing!
The French pianist Nicholas Horvath is performing the complete Piano Etudes of Philip Glass at Weill Hall on 9 January, alongside a selection of homages. I wrote Enough Holes for the project, and it will be premiered on this concert. Should be a very cool evening of piano music!
Here’s the premiere recording of my Rilke-inspired piece about unicorns, Einhorn, commissioned and performed by the wonderful Lydia Van Dreel. You can find it in all the usual places, or click the CD cover below to go directly to CD Baby: