Machaut in the Age of Motown (2005) is a transcribed mashup of two pre-existing works: The Bells, written by Marvin Gaye (1970) as sung by The Originals, and Tels rit from the Remede de Fortune (1340) written by Guillaume de Machaut as sung by the Project Ars Nova Ensemble. It’s the fifth piece in a series called Machaut in the Machine Age, which I have been making every now and then since 1986 in response to the music and poetry of Guillaume de Machaut, the fabulous 14th century French composer.
You can listen to my original mashup here.
And you can listen to a live recording from the 2018 New Music on the Point Festival by visitingÂ 7Â November in A Book of Days.
While the piece was originally scored for soprano sax, clarinet, violin, bass, bells, vibes, piano, and drumset, I am happy for the piece to be adapted for your forces. Here’s a score of a version forÂ soprano and alto sax, viola, bass, bells, vibes, piano, and drumset.
For a set of performance materials, please click the paypal button below, and thank you for supporting this low-key way of publishing.
Push the DustÂ was originally written as part of a big cello piece for Maya Beiser calledÂ I am writing to you from a far-off country. The text, by Belgian surrealist Henri Michaux, is written as a series of letters from a woman to an unnamed recipient.
We are more than ever surrounded by ants. They push the dust uneasily at top speed. They take no interest in us. Not one raises its head. This is the most tightly closed society that could exist, although outdoors they constantly spread out in all directions. It doesn’t matter, to realize their projects, their preoccupations… they are among themselves… everywhere. And until this moment, not one has raised its head towards us. It would rather be crushed.
The demo I made when I was composing the piece was for mallet percussion instead of cello, and I think it makes for a very cool percussion piece. I’ve posted that demo version asÂ October 3rdÂ inÂ A Book of Days. It can be performed by six players on multiples of the same instrument, or as a solo piece for one player, who performs the text and one live percussion part, having pre-recorded the others. The piece can certainly be done on any mallet instrument like vibes or marimba, but you are also welcome to construct a homemade instrument, probably of pieces of metal, to record the playback tracks and perform the live line.
Here is a score of the complete piece. If you would like to perform the piece, please click the donation button below, and I will send you the individual parts you need to perform it live or record the playback tracks.
The materials used to cost $25.00, but in COVID days, it’s set up so you can name your own price.
Thank you for supporting this low-key way of publishing: