The title Osculati Fourniture comes from a mysterious query in a journal entry written by my mother, Joyce Heeney Beglarian, on 22 May 1981, while en route to Florence from Pisa. I cannot know why these two words came into her mind while riding along the autostrada, or what connection the phrase might have with shutters or Lucca, but it seems likely that the whole business has some obscure significance.
The music is a response to the gushe Zirkesh-e Salmak in the dastgah of Shur, part of the repertoire of Persian classical music. Its relation to all this is perhaps osculate in some sense.
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Osculati Fourniture is part of my ongoing project A Book of Days. You can listen to Andy Kozar’s performance on trumpet by going to January 24th. In addition, you can check out a cool video of a performance featuring Kevork Mourad’s live drawings. The piece is dedicated with love to Yvan Greenberg, who I imagine might enjoy this little cabinet of oddities.
[and by the way, my shutter photo was taken in Pescia, not Lucca — but you get the idea…]
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Here is a score of the piece with various transpositions you might want.
For performing materials, please click one of the buttons below, with my thanks for your support of this very low-key way of publishing:
DETAILS
- Instrumentation: flute oboe clarinet bassoon saxophone trombone voice (singer)
- Ensemble Size: solo
- Duration: <5 minutes
- Electronics: Fixed Audio
- Video: No
- Project(s): A Book of Days
- Year: 2007
