Making Hey, for spoken voice, piano four-hands, bass, and as many percussionists as you’d like, was written for a festschrift published by Open Space Magazine celebrating my composition teacher, JK Randall.
The text for Making Hey is a gratuitously excellent piece of anonymous work that arrived in an email offering to increase my penis size or refinance my mortgage. I no longer remember which, since I lack both. (This method for confusing spam filters is called Bayesian poisoning, and there’s some pretty cool math involved, I recommend checking it out.)
I have set the text (unchanged except for punctuation) to an adaptation of a two-piano piece called Making Hay, which I wrote in 1980 and dedicated to Jim at that time. This new piece starts out with the same student piece, but gradually clarifies and simplifies it in response to the bass and percussion line I have added all these years later.
The bass and percussion are an adaptation of a Gnawa performance I’ve totally fallen in love with. You can listen to it at this Youtube link:
Making Hey is part of my ongoing project, A Book of Days. You can listen to a recording of the piece by visiting June 16th.
You can download a score of the piece here. The percussionist(s) should come up with their own interpretation of Gnawa rhythm when performing the piece. You can purchase performance materials for the other instruments by clicking the link below.
And thanks for supporting this low-key way of publishing!
- Instrumentation: percussion (unpitched) piano voice (speaker) bass
- Ensemble Size: 2-6
- Duration: 5-12 minutes
- Electronics: No Electronics
- Video: No
- Project(s): A Book of Days
- Year: 2006