Night Psalm was inspired by Psalm 77, particularly verse 20:
Your way was through the sea,
your path, through the mighty waters;
yet your footprints were unseen.
The melody of the piece is based on a chant found in a late sixteenth century antiphoner from Augsberg Cathedral in Germany. It is not known why this book would have been made so late, given the liturgical politics involved.
Night Psalm is dedicated to Paul Kahn on the occasion of his becoming a deacon. The piece is part of my ongoing project, A Book of Days. You can hear Vicky Chow’s live recording (accompanied by a video I made off the back of a towboat on the Mississippi) by visiting March 10. And you can see an excerpt of me performing the piece on a Launchpad here.
Here is a score of the piece. If you are paid to perform it in public, I would deeply appreciate you paying for the score:
I wrote Did he promise you tomorrow? on 7 February 2011 as a memorial to Steven Dennis Bodner (1975-2011.) The title is something a woman named Carla asked me in a bar in Los Gatos, California precisely one year earlier, on 7 February 2010, while Chris Porter and I were watching the New Orleans Saints beat the Minnesota Vikings in the Super Bowl. I had never watched a Super Bowl before, but the fact of two river cities being in contention made it sort of a required event that year. I don’t know what Steve’s attachment to the Super Bowl may or may not have been, but I do know that he loved Louis Andriessen’s music passionately, so I have re-purposed a lick from De Volharding as the basis of the piece.
Did he promise you tomorrow? is part of my ongoing multimedia project A Book of Days. You can hear Matt Petty and me doing a wacky all-harpsichord version by going to February 7th. And you can purchase a wind and brass heavy version here.
The piece can be performed by virtually any group of at least six instruments and/or singers. You can arrange your own score from the six conceptual lines. The pdf called vocal score is the simplest arrangement. You can look at the Newspeak arrangement to see one approach to arranging the piece for larger forces.
You are warmly invited to support this low-key way of publishing. Once you make your purchase, we will send you a Finale file so you can make your very own arrangement of Did he promise you tomorrow?
Oh, I’m sad for never knowing courage,
And I’m sad for the stilling of fear.
Close to the sun now and farther from the heart.
I think that my end must be near.
I linger too long at a picnic
’cause a picnic’s gayer than me.
And I hold to the edge of the table
’cause the table’s stronger than me.
And I lean on anyone’s shoulder
Because anyone’s warmer than me.
I have been mulling over this 1942 poem by Jane Bowles since I first encountered it in 2000. I think the poem is unbearably sad: the embodiment of a specific kind of mid-20th-century female unhappiness. I do not live this life, but I am very conscious of having escaped it.
The song showed up unannounced one day while I was in residence at Ucross in the spring of 2016.
Farther from the Heart is part of my ongoing project, A Book of Days. You can listen to my recording by visiting 3 November.
Here’s the vocal score at the transposition that works best for me. I am happy to supply you with a different transposition, just let me know what you need when you order the materials below.
And thank you for supporting this low-key way of publishing.