Walking Music

Walking Music was originally written for an opera based on a Stephen King story called The Man in the Black Suit. This music accompanies a boy’s walk to the stream where he unexpectedly meets the devil. It’s a decorated arrangement of an old hymn of the sort the boy might have been humming as he walked. The hymn, called The King of Love, is a reworking of Psalm 23, set to an old Gaelic tune.

Several years after making the piece, I made an arrangement that can be played as part of the River Project. Thankfully, I did not meet the devil on my journey down the river(!) But I feel that the music captures something of the trusting elation I sometimes felt on the journey.

Walking Music is part of my ongoing project, A Book of Days. You can listen to a live performance by BRIM and the Guidonian Hand visiting May 11th.

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The original version of this piece is for two singers, two guitars, chorus, string quartet, and optional stream ambience. The BRIM and Guidonian Hand version is for singer, violin, guitar, trombone quartet, and piano. You can download a score of that version here. If you would like a version that works for your ensemble, just let me know your needs.

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Take Your Joy

Take Your Joy is a piece for SATB mixed chorus (minimum 6-6-3-3 singers, but the bigger the better) and electronics. The piece is a response to an organ piece by Olivier Messiaen called Puer natus est nobis, which is part of the Livre du Saint-Sacrement. The choral part is a canon made from Messiaen’s harmonization of the traditional Christmas day introit. I have also incorporated an excerpt from John 16:21-23:

When a woman is in labor, she has pain, because her hour has come. But when her child is born, she no longer remembers the anguish because of the joy of having brought a human being into the world. So you will have pain now; but I will see you again, and your hearts will rejoice, and no one will take your joy from you.

The electronic part, both the pain and the joy, is made using transformations of a recording of the olive-tree warbler (hippolais olivetorum). This birdcall appears transcribed for organ in Messiaen’s piece. The olive-tree warbler uses Palestine/Israel as a stopover in its winter migration between the Balkans and southern Africa.

Take Your Joy was commissioned by the Amherst College Choir, Mallorie Chernin, conductor, and written in October 2004 while in residence at the Atlantic Center for the Arts in New Smyrna Beach, Florida.

Take Your Joy is part of my ongoing project, A Book of Days. To hear a demo recorded by Corey Dargel, Joseph Hallman, and me at the Atlantic Center, please visit April 6th.

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Here is a score of the piece in pdf format. For the pre-recorded track needed to perform the piece, please click the button:

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Light up Your face

Light up Your face began as a piece about the murder of Medgar Evers on 12 June 1963. Eudora Welty wrote a story the next night from the point of view of the murderer, who had not yet been identified. It has been hailed as an uncanny portrait of the killer, but it is wrong in one important respect. Byron De La Beckwith was not an impoverished nearly illiterate redneck, he was an upstanding middle class salesman and WWII veteran, who along with participating in the White Citizens’ Council and the Ku Klux Klan, regularly attended the Episcopal Church in Greenwood, MS.

That last fact is the inspiration for the piece, which includes an excerpt from Eudora Welty’s story against my harmonization of the chant version of the refrain of Psalm 80: Light up Your face, that we may be rescued.

After three trials, Byron De La Beckwith was finally convicted of first-degree murder in 1994.

The video for Light up Your face is a collaboration between Bradley Wester and Matt Petty. Bradley works with an image of Medgar Evers’ home in Jackson, Mississippi, and the carport where he was killed. Matt Petty’s contribution is a meditation on the murder of James Craig Anderson in Jackson in 2011, a murder committed by a group of white high school students from the neighboring town of Brandon. The students were convicted of their crime and are currently serving time in federal prison. The family of James Craig Anderson asked that the murderers be spared the death penalty.

Light up Your face is part of my ongoing project, A Book of Days. You can watch and listen to the piece by visiting June 12th.

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The original version of this piece is for actor, singer, and piano. You can download it here. The piano part can be replaced by chamber ensemble or chorus. If you would like a version that works for your ensemble, let me know your needs. Please get in touch with me for more information about showing the video as part of your performance.

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Armon

Armon is the closing section of a larger piece called Untitled: Interior, which was written to accompany a solo dance by Stephanie Nugent. Armon is the name for the plane tree in Hebrew, and the word also means “naked” or “peeling off”. The piece can be performed by as few as five individual singers, probably altos, or by a chorus doubling the five parts. There is no text, and you are free to use whatever syllables help you shape the music. I have purposely under-notated the phrasing and articulation to indicate that you are free to shape your own performance of the piece.

Armon could also be performed by a men’s chorus, (or even a mixed chorus (tenors and altos, say), if the singers are careful to match their timbres with one another,) and you can feel free to transpose the whole piece as necessary. Please transpose so the music falls in a low and even vulnerable register for the singers.

The piano part is optional.

There is an optional additional spoken part that can be narrated at the beginning of the piece. It is an excerpt of a translation of a prayer of the 8th century female Sufi mystic Rabi’a:

if I speak my love to you in fear of hell,
incinerate me in it;
if I speak my love to you in hope of heaven,
close it in my face.
But if I speak to you simply because you
exist, cease withholding
from me…
rabi’a al-adawiyya
translated by franz wright

Armon is June 14th in my ongoing project A Book of Days.

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Here is a score of the piece in pdf format. If you need a different transposition or layout, please contact me.

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Liement me deport (Machaut in the Machine Age VI)

Liement me deport (2008) is the sixth piece in a series called Machaut in the Machine Age, which I have been making every now and then since 1986 in response to the music and poetry of Guillaume de Machaut, the fabulous 14th century French composer.

This one sets the first phrase of his virelais of the same name in two conflicting rhythmic versions which are sung in canon. While the idea is conceptually simple, it’s quite tricky to pull off: it’s a crazily intensified round. The “cantus firmus,” a long, slow line, can be played on harmonica or sung with processing. It’s an abstraction of the melody of Smile by Charlie Chaplin, which was introduced in the classic film, Modern Times. The words Liement me deport in medieval French mean something like Smile, though your heart is aching.

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Liement me deport
Par samblant, mais je port,
Sans joie et sans deport,
Une si grief pointure
Que je sui au droit port
De mort, sans nul deport
Qui me pregne en sa cure.
Car quant de vo figure
La douce pourtraiture
Dedens mon cuer recort,
Espris sui d’une arsure
Ardant, crueuse et sure,
Pleinne de tout descort;
Car Desirs son effort
Fait de moy grever fort,
Mais j’ay cuer assez fort
Contre sa blesseüre.
Si ne me deconfort,
Car d’espoir me confort
Qui me donne confort
En vostre douceur pure.
Liement me deport.
Guillaume de Machaut (1300-1377)

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Smile though your heart is aching
Smile even though it’s breaking.
When there are clouds in the sky
you’ll get by.

If you smile through your fear and sorrow
Smile and maybe tomorrow
You’ll see the sun come shining through
For you.

Light up your face with gladness,
Hide every trace of sadness.
Although a tear may be ever so near

That’s the time you must keep on trying
Smile, what’s the use of crying.
You’ll find that life is still worthwhile-
If you just smile.

That’s the time you must keep on trying
Smile, what’s the use of crying.
You’ll find that life is still worthwhile-
If you just smile.
Charlie Chaplin (1889-1977)

Liement me deport is September 17th in A Book of Days.

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You can hear a recording of the original Machaut here:

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And here is Nat King Cole’s incomparable performance of Smile:

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Here is a score of the piece in pdf format.

After you click the payment button below, you’ll get a link to download the pre-recorded track you’ll need to perform the piece.

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Lullaby

Lullaby is for solo voice, female chorus, piano and optional vibes. It can also be done by women’s chorus where the solo part is done by the altos and the chant is done by the sopranos.

The text is a poem by Janet Lewis.

Lullee, lullay,
I could not love thee more
If thou wast Christ the King.
Now tell me, how did Mary know
That in her womb should sleep and grow
The Lord of everything?

An angel stood with her
Who said, “That which doth stir
Like summer in thy side
Shall save the world from sin.
Then stable, hall and inn
Shall cherish Christmas-tide.”

Lullee, lullay,
And so it was that Day.
And did she love Him more
Because an angel came
To prophesy His name?
Ah no, not so,
She could not love him more,
But loved Him just the same,
Lullee, lullay.

Lullaby is part of my ongoing project A Book of Days. You can go to December 25th to hear my demo recording. The piece is also one in a series called ReThinking Mary.
horizontal rule Here is a score of the piece in pdf format.

And you are warmly invited to support this very low-key way of publishing:

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I am really a very simple person

I am really a very simple person is the first piece I wrote after completing a journey by kayak and bicycle down the Mississippi River. It was inspired by something the visual artist H. C. Porter said to me soon after we met, in Vicksburg in November 2009. This choral version uses solfège syllables as the lyrics for the piece, which perhaps will evoke thoughts of the old shape note singing traditions.

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Here is a score of the piece in pdf format.

I am really a very simple person is January 6th in A Book of Days. If you go to the day, you can hear a recording where I am singing all the parts.

I am open to performances of the piece by any group of instrumentalists and/or singers. I can supply you with various different arrangements I have made, or with the Finale file so you can make your own arrangement. Please let me know when you perform the piece. And you are warmly invited to support this very low-key way of publishing:

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