Play Like a Girl

I’ve posted a new piece called Play Like a Girla set of eight keyboard variations on the Bulgarian Women’s Chorus standard, Kaval Sviri. Some work well on grand piano, others on toy piano or celeste or harpsichord or other “girly” instruments, as you like. The variations can be played simultaneously or successively in any combination for a total of eight factorial versions of the piece. I am posting twelve different versions of the piece in A Book of Days, on the 13th of each month. You can listen to those to get a sense of the possibilities.

Play like the girl you are (or sometimes wish you were!)

Enough Holes

Enough Holes was written for the French pianist Nicolas Horvath to perform on a concert of hommages to Philip Glass. The piece is a response to one that Glass wrote with Foday Musa Suso for a 1989 production of Jean Genet's play The Screens. My piece is inspired by an error-filled computer transcription of the original recording, further edited and transformed manually. I hope it has enough holes.

The piece is part of my ongoing project, A Book of Days. To listen to a recording, please visit May 2nd.

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THE MOTHER: Take the blanket.

LEILA (pointing to a blanket): That one?

THE MOTHER: No, not that one. It hasn't enough holes.

THE GENDARME (to THE MOTHER): Giving her the one with the most holes?

THE MOTHER: What interests her is the holes. The more there are, the better she likes it.

Genet: The Screens (1961)

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Here is a score of the piece in pdf format.

If you perform the piece on public concerts for which you are paid, it'd be great if you would purchase a copy of the piece. Click the button below:

Cave: for spoken voice, mixed ensemble and playback

Cave was commissioned by the St. Louis ensemble Synchronia for a program investigating the theme of America in Y2K. The text is by Eileen Myles. It is the third piece in the last year I have been asked to write on this subject*, and I’m noticing that I know less about the meaning of the millennium, or the future in general, the more I’m asked to write pieces about it. I have, however, had several excellent conversations about souls with Ansel Elgort, who is six, while I’ve been writing this piece, so I dedicate it to him with love and thanks for his friendship.

* see the continuous life for another
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Cave is part of my ongoing project A Book of Days. Please visit July 3rd to hear a recording.

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The piece was originally made for flute, clarinet, violin, cello, keyboard (or piano and vibes), spoken voice, and electronics. There is also an optional video by Clifton Taylor.

Here is a score of the piece, and here’s a set of parts. I’m open to you adapting it for your ensemble; let me know what you have in mind. If you wish to use the original DX7 patch, download this zip file of the patch in various formats that may be useful for re-creating the patch.

I will send you the pre-recorded track when you order the piece by clicking the paypal button below.