Machaut in the Age of Motown (2005) is a transcribed mashup of two pre-existing works: The Bells, written by Marvin Gaye (1970) as sung by The Originals, and Tels rit from the Remede de Fortune (1340) written by Guillaume de Machaut as sung by the Project Ars Nova Ensemble. It’s the fifth piece in a series called Machaut in the Machine Age, which I have been making every now and then since 1986 in response to the music and poetry of Guillaume de Machaut, the fabulous 14th century French composer.
Originally scored for soprano sax, clarinet, violin, bass, bells, vibes, piano, and drumset, I am happy to adapt the piece for your forces. You can download the score and listen to a live performance:
And you can listen to the original mashup of Marvin and Machaut on 7 November in A Book of Days.
Machaut a Go-go adapts both the music and the lyrics of Machaut’s virelais “Moult sui de bonne heure nee” to the go-go style. Go-go is a jazzy offshoot of rap that fourished in Washington, D.C. a while ago. Chuck Brown and the Soul Searchers were my main inspiration in adapting the style. Machaut a Go-go was written in 1991 for Kitty Brazelton and her nine-piece band, Dadadah. Kitty made the translation and adaptation of the Machaut lyrics, as well as helping immeasurably to shape the piece. Many thanks to her and the other members of Dadadah for their work and musicianship.
Machaut a Go-go can be performed with an introduction: a performance of the original virelais (for voice and harp or guitar) that is rudely interrupted by the drummer, who leads in the other musicians. Here is a scan of the original score to use if you want to do this introduction.
Machaut a Go-go is part of my ongoing project, A Book of Days. You can listen to a Dadadah’s recording by visiting May 7th.
You can download a score of the piece here. You can purchase performance materials by clicking the link below.
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Machaut in the Machine Age I: Douce dame jolie is the first of a series of pieces that use the music of Machaut as a jumping-off point for various juxtapositions of his art with mine. This one was originally written in 1986 for Daniel Druckman (percussion) and Alan Feinberg (piano) as an opener for their duo recitals.
The Tisch School of the Arts commissioned an arrangement of the piece for flute, Bb clarinet, violin, cello, piano, percussion in 1990 so that choreographer Monica Levy could use it for a dance work.
Machaut in the Machine Age I: Douce dame jolie is part of my ongoing project, A Book of Days. You can listen to the ensemble version by visiting March 17th.
Here are scores for the two different versions of Machaut in the Machine Age I.
When you order the performance materials by clicking the button below, please let me know which version you need. The instrumentation can be changed beyond the two versions above, so talk to me if you have specific needs for your ensemble.
Thanks for supporting this low-key way of publishing!