Bio

According to the Los Angeles Times, composer and performer Eve Beglarian is a “humane, idealistic rebel and a musical sensualist.” A 2023 winner of the Arts and Letters Award for “a spectacular body of work that innovates and takes enormous risks,” she is also a 2017 winner of the Alpert Award in the Arts for her “prolific, engaging and surprising body of work,” and has been awarded the 2015 Robert Rauschenberg Prize from the Foundation for Contemporary Arts for her “innovation, risk-taking, and experimentation.”

Her current projects include a solo piano piece about Emily Dickinson responding to Ives’ Concord Sonata for the pianist Donald Berman, a piece about water issues on the Colorado River for the Moab Music Festival, a queer exploration of 14th century composer Guillaume de Machaut’s multimedia love story, Le Voir Dit, with singer/performer Lukas Papenfusscline, and a piece for 24 basses in a grove of trees, composed for Robert Black and friends. Since 2001, she has been creating A Book of Days, “a grand and gradually manifesting work in progress…an eclectic and wide-open series of enticements.” (Los Angeles Times)

In 2009, “Ms. Beglarian kayaked and bicycled the length of the Mississippi River [and] has translated her findings into music of sophisticated rusticity. [Her] new Americana song cycle captures those swift currents as vividly as Mark Twain did. The works waft gracefully on her handsome folk croon and varied folk instrumentation as mysterious as their inspiration.” (New York Times)

Beglarian’s chamber, choral, and orchestral music has been commissioned and widely performed by the Los Angeles Master Chorale, the American Composers Orchestra, the Bang on a Can All-Stars, the Chamber Music Society of Lincoln Center, the California EAR Unit, the Orchestra of St. Luke’s, loadbang, Newspeak, the Ekmeles Vocal Ensemble and individual performers including Maya Beiser, Lara Downes, Lucy Dhegrae, and Thomas Feng.

Highlights of Beglarian’s work in music theater includes music for Mabou Mines’ Obie-winning Dollhouse, Animal Magnetism, Ecco Porco, Choephorai, and Shalom Shanghai, all directed by Lee Breuer; Forgiveness, a collaboration with Chen Shi-Zheng and Noh master Akira Matsui; and the China National Beijing Opera Theater’s production of The Bacchae, also directed by Chen Shi-Zheng.

She has collaborated with choreographers including Ann Carlson, Robert LaFosse, Victoria Marks, Susan Marshall, David Neumann, Take Ueyama, and Megan Williams, and with visual and video artists including Cory Arcangel, Anne Bray, Vittoria Chierici, Barbara Hammer, Kevork Mourad, Shirin Neshat, Matt Petty, Bradley Wester, and Judson Wright.

Performance projects include Brim, Songs from a Book of Days, The Story of B, Open Secrets, Hildegurls’ Ordo Virtutum, twisted tutu, and typOpera.

Recordings of Eve’s music are available on ECM, Koch, New World, Canteloupe, Innova, Naxos, Kill Rock Stars, CDBaby, and Bandcamp.

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