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Even though we just finished up one series of concerts, there are more upcoming projects here in New York that continue the flow…
On 17 February, the Ekmeles Vocal Ensemble with Vicky Chow on piano and Ana Milosavljevic on violin will be performing a show we’re calling Songs from the River and Elsewhere on the Avant Music Festival, which is going to be a wonderful series of concerts, highly recommended.
We’ve already begun rehearsing the repertoire for the 17 February concert, and it’s really fascinating to be embedding RiverProject songs in and among songs from A Book of Days. While the journey down the river definitely changed me and my work, there are some themes that thread their way through all the pieces, and hearing them performed by these excellent musicians is really great.
Also upcoming (on 2 March) is a performance of The Sirens, or Pleasure, my Cagean (Cageish?) collaboration with Yvan Greenberg, by the duo Two Sides Sounding. come check out the bicycle roulette wheel doing its thing, you never know which crackerjack prizes it’ll choose!
Along with these performances, I’m starting work on Pump Music, a big new piece for violin, trombone quartet, and location recordings of hand pumps found in campsites along the Mississippi River, a Meet the Composer commission that will premiere later in the spring on the Tribeca New Music Festival. Stay tuned for news about date and venue, which should be firmed up very soon!
The transition from being on the river to being here at Montalvo, and the various adventures that happened in between the two places, has definitely broken my posting rhythm, and I MISS being here with you! Funny how this blog feels like an actual place to me, different from email or phone or Facebook or whatever other forms of communication we might use together. I want to see if we can continue the conversation here, although my guess is that it will be different now that I’m in one place for a while and writing music again.
Before I do anything else, I want to just give you a short picture of where I’ve been for the last several weeks.
Mac and I had a few more days in New Orleans after my previous post, and we heard lots of wonderful music on Frenchman Street and at the weekend Gumbo Festival in a converted funeral parlor, we went to St. Augustine’s Catholic Church (with Linda Norton) and heard the Treme Brass Band again at the parish Christmas party, visited the African-American Museum and the Port of New Orleans and Brad Pitt’s new houses in the Ninth Ward, hung out with Scotty Heron, who generously sheltered us from the rain for a few nights, cheered for the Saints in R Bar, ate incredible meals and more beignets and coffee than should be legal, and altogether had an excellent time. Here are a very few photos.
On the 14th, I dropped Mac off at the airport and headed back north to Vicksburg, where I stayed with excellent Chris Porter for a couple of days while waiting for the M/V Charles F. Detmar, Jr. to arrive. My friend David Greer had arranged for me to ride this towboat with Captain Richard “Bear” Gettelfinger. It was totally amazing, a completely different way to experience the river than a kayak, that’s for sure! I want to write more about this experience later, but for now, here are a few pictures, along with a million thanks to Bear and his crew, and to David for setting the trip up for me.
I got off the towboat Saturday night back in Vicksburg (we had gone down to just above Baton Rouge and back in four days), watched the Saints lose, went to Episcopal Church in Vicksburg Sunday morning and met the fabulous and inimitable Ms. Ike, and then a whole crew of us went sailing Sunday afternoon on a lake just north of Vicksburg, stopping at the Reverend Dennis’ wonderful artwork/church on the way. (More info about Reverend Dennis here.) We ended up with five women on the boat, a slightly different crew than the eleven men of the Charlie Detmar(!)
My friend Cori Ellison arrived from NYC on Monday night, and we headed west on Tuesday, stopping for two nights (so we could go dancing) in glorious Lafayette, LA with Chris’ excellent friend Marie, about which I want to write more, and then through Texas, where I got a chance to paddle on the Rio Grande at Big Bend National Park, totally great, and then west through Arizona, staying a night in Sonoita with Cori’s friend Saba, and finally arriving at Montalvo on 30 December.
I’ve been here ever since. It is exceedingly strange to sleep indoors in the same bed every night, to unpack my books from the trunk of the car and put them on an actual bookshelf, to shower every day, to have constant access to electricity and running water and refrigeration and high speed internet.
It’s wonderful here, a great place to make this transition, and I am getting started on sorting through all the materials and ideas I want to explore for the next many months (years?), but my first priority is to get my voice and fingers working because I have a solo show at Stanford on 4 February, and I have not even been thinking about singing or playing or talking or manipulating electronics for many months now.
I am absolutely loving getting up and practicing every day, perhaps for the first time in my life. I used to find practicing boring, but I think these many months of paddling or biking for six hours at a stretch taught me something I never really understood before about how the physical and the spiritual (and the emotional and the intellectual for that matter) can be intertwined. Long distance paddling or biking just naturally becomes a meditation: I’m out in nature, I know going to be at it all day so I’m not overexerting myself to exhaustion, and something happens to my mind: I’m focussing, but also relaxed; I’m concentrating on the task at hand, but my mind is simultaneously free to notice stuff.
When she was visiting me in Iowa in late October during the lost gear adventure, my friend Rafaela mentioned something in her wonderfully low key and wise way about Jung’s four functions: thinking, feeling, sensation, and intuition, and how doing this journey might be allowing me to shift my own internal balance of the four. I heard what she said at the time, but it is only now when I sit down to play and sing each morning that I realize the river has taught me a marvelous lesson without my even being aware it was happening. I am delighted and grateful.
I started this river trip with Mac Walton more than four months ago: he and I drove from Vermont to Minnesota together, met up with Richard Steadman-Jones, and paddled down the river for several weeks before Mac headed back to Maine from the Quad Cities in September. So I am totally delighted that he’s flown back out to join on for the last few days of the journey: it really feels like the completion of a beautiful circle. Mac has let his beard and hair grow this whole time, and I haven’t had a haircut either, not something we discussed in advance, but I really love this shared physical marker of the trip’s time’s passage. And Richard has lately begun posting some material relating to our Archives of Exile project, which is another excellent circle radiating from this river project.
I had promised myself to go to a megachurch before finishing the journey, but as I mentioned, I just couldn’t bring myself to deal with Jimmy Swaggart. My St. Francisville friend Luke mentioned that there’s a next-generation megachurch in Baton Rouge called The Healing Place, so Mac and I headed there for one of the three Sunday morning services. The parking lot was full of SUVs and luxury cars, the church was packed with probably fifteen hundred people, about forty percent of the service was devoted to asking for money, there was a nine-piece band, three soloists, a full chorus, flashy spiritual infomericals, but as far as I could tell, the entire Healing Place experience was virtually content-free. It’s not that I heard things that offended or disturbed me. I really didn’t feel anything at all, didn’t even feel like I’d been to church, and I left feeling just as ignorant of the allure of this megachurch phenomenon as I had been before. It’s clear that I’m completely missing something, some key that would clarify the appeal of all this to thousands of people. If you get it, please explain it to me!
We drove up to Livonia, and I biked about thirty miles down to Plaquemine Sunday afternoon along a back bayou. It was a beautiful ride, and I saw my first living armadillo in the wild (there has been lots of armadillo roadkill before now), and then I saw another… and then another. But no alligators, sorry to say. It may be the wrong time of year for alligator sightings.
Mulling all this over while driving past roofless houses, trailers, bungalows, and sheds, we headed back to camp at Bayou Segnette, just outside New Orleans, changed clothes, and went in to town. Yay! We did the absolutely essential tourist thing of wandering around the French Quarter and having a cafe au lait and beignets at Cafe du Monde, and then we found a great little takeout place and went out and sat in the park looking at the river eating our insanely wonderful po’ boys.
We went back to camp, and at about midnight the wind started. And kept going. And then the rain came. And kept going. And then the lightning and thunder. And the combination of all three was enough that I got a bit wet even in my en-tarped cocoon-like hammock, but not badly enough to bail and head for the car. And when I did emerge in the morning, I was really glad I hadn’t tried to get out in the night. A pond about six inches deep had materialized under my hammock. Check it out!
Mary Rowell flew in to Jackson Wednesday afternoon, and we stocked up on groceries and headed down the Natchez Trace Parkway Thursday morning in glorious weather, set up at Rocky Springs State Park and explored the remaining bits of the town — two safes too heavy to move, a wonderful old church (still in use), and a couple of foundations are all that remain of a once-thriving village that was destroyed by a combination of the Civil War, yellow fever, and poor agricultural practices. We cooked an entire Thanksgiving meal outdoors using two pots, two plates, about six pieces of silverware, and liberal amounts of aluminum foil, since most of the food got cooked in the campfire. It was totally great: one of the most fun Thanksgivings I’ve ever had!
The next day I biked down to Port Gibson while Mary drove back north to explore Vicksburg, and we met up and picnicked on leftovers in downtown Port Gibson and then wandered around checking out the town Grant called “too beautiful to burn.” Then we headed out to Grand Gulf, where there is another military park and a beautiful campground up on a bluff, and we climbed an observation tower to watch the sun set over the river. I am really enjoying biking the Trace: it’s a beautiful road, but I am so very sorry I am not paddling the river. I ache with an almost guilty longing for the dangerous lover I desire but cannot have. (hmmm, does that maybe sound a bit familiar?!)
We arrived in Natchez in time for a late lunch at a cafe looking out at the river, and then we drove down 61 to Baton Rouge, where Mary had to fly out at the crack of dawn Sunday. I had considered going to Jimmy Swaggart’s church Sunday morning, but I was already a bit cranky from getting up at 4:30 to get Mary to the airport, so I was not up for listening to gay-bashing right-wing Christianity on the first day of Advent. Instead, I drove back up to Natchez and got settled at the State Park and got out my bike and drove down the last fifteen miles of the Parkway and to the Indian Mounds outside of town.
Biking back up the Natchez Trace Parkway in the dusk was one of those perfect moments that happen sometimes: just the right balance of comfortable exertion and natural beauty and excellent light and simple joy. Even though I can feel myself beginning to wind down from the journey — there’s not that much farther to go before New Orleans, and I can feel my heart yearning more and more to give myself over to settling down for a while to write music — I really love being out here. Something serious has shifted inside me: I have emptied myself further than I ever have before. I have never taken this big a risk with my own creativity, and I am sort of amazed that I am not really afraid. I have no idea what is going to emerge from me musically, and I am really excited to find out what it’s gonna turn out to be. I feel like I’m winding down one journey and beginning another, which is going to be at least as much of an adventure as the one I’ve been traveling all these last months.
Stephanie, Mark’s wife, is a dancer who splits her time between New York and Lake Village. (Mark grew up in Mississippi, but went to school at CUNY and Stony Brook, and we had met once in NYC a while ago.) She threw herself into this adventure with great aplomb! On Thursday, we took a good bike ride to explore north of Lake Village, where there’s a channel marked on the map as the Old River. We were looking for possible put-in points for a paddle, but the Army Corps maps don’t cover all the back channels of the Mississippi, since the maps are optimized for barges and towboats, not for kayakers who prefer the back ways and side trips. We rode past a huge dam out in the fields, and near it is a perfect boat ramp, completely empty and unused. I’ve been avoiding the main river when I’m traveling alone: my vision of this journey does not include drowning, or even capsizing. So every chance I have to get on the river these days feels like a wonderful gift, and the back channels down here are strange and mystical places. Towards the end of our leisurely paddle Friday, which we treated more like a float, I noticed that there is a back channel to this Old River, which is of course already a back channel of the present Mississippi, so I left Stephanie and paddled around the long way, which must once have been the main river, because the state line is drawn along this tiny back slough. We met up again at the pullout, and retrieved cars and kayaks and headed home for a quick shower and then over to Winterville Mounds, where Mark works. We got there in time for Mark to show me around a bit before dark, and he told me a great story about the Native Americans accosting De Soto’s people in huge canoes each painted in a different primary color, and the paddles and the men themselves painted to match the canoes. Can you imagine how terrified De Soto’s troops must have been to see these brightly painted warriors paddling out into the main river, with their drums and their fierce songs?!? They didn’t kill De Soto’s band, but would come up to their boats and rock them until they tipped over, basically messing with them, hazing them, before disappearing back up the Deer River to Winterville. De Soto’s people decided soon after that to forget about the gold and treasure they had been seeking and just go home. De Soto himself was already dead and consigned to the river: legend has it that he was buried in what is now Lake Chicot, the lake Mark and Stephanie’s house is on.
We drove up to Rosedale for dinner at a good restaurant with very slow service, so we were late to the show at Po’ Monkey’s, a storied juke joint way out on a farm road sort of near Cleveland. A group of electro-acoustic musicians had taken over the place for an evening jam, which Mark had been asked to join. None of the regulars were there, apparently last year’s version was enough for them. And I’ll tell you, I mean no disrespect, but the whole scene rendered me almost inarticulate with despair. Here’s this whole group of musicians and composers from all over the country, who have shown up for a festival of electronic music, and they come down and jam badly for one another, jamming after all not being exactly what they are skilled at, and they congratulate themselves for playing in a juke joint, despite the fact that no-one from the actual community, not one regular is in the place. And then I overhear one guy saying to Mark Snyder, the festival organizer, that another guy is “being a girl” about getting up and playing: he keeps saying he’ll join in after the next song. And to Mark Snyder’s credit, he called the guy on it, claimed not to know what he meant, asked for clarification that had the guy sputtering a bit. But sitting there as one of three women in the whole place, electro-acoustic festivals in general and this one not exceptionally being something of a boy’s club, I was not exactly offended, I think a better word would be heartbroken. In this day and age a full-grown nominally educated guy actually casually and unthinkingly derides someone by calling them a girl?! Are you kidding me?!? I don’t know that guy, he might be an otherwise lovely and talented human being, but I hope women steer clear of him for the rest of his natural life.
But Mark Snyder’s sly and effective response really got me thinking. I have had occurrences in the past couple of weeks where white people have said things I regard as racist. And I struggle really hard to know how to calibrate my response. I remember being in a cab once in New York with my friend Juliana, and the cabdriver said something racist and she immediately said something like, I don’t agree with or accept your way of talking, and please do not speak that way while I am in your cab. But that’s a slightly less complicated situation: Juliana did not have any relationship with the cab driver beyond an economic exchange. But when people are hosting you, or doing you favors, or being generous to you, how do you indicate your dismay and disagreement with the language they use, the attitudes they express? My answer so far has been to think more like an anthropologist: I’m trying to understand how people are rather than judging them or arguing with them. And perhaps my way has some tiny impact, however inconsequential. The person who made the most racist statements I’ve had to listen to also noticed and commented on my interest in black music and culture, and told me some useful information about the history and geography of black music and musicians.
The discussion at the BB King Museum the other night was full of talk about the complicity of the North in racism, claiming that Northerners, even abolitionists, didn’t actually like black people any more than Southerners did, and in certain ways understand black culture far less than Southerners do. Martin Luther King said he was more scared of the white racists in Chicago than he ever was down South. And of course, there are proportionally so many more black people down here than up North, and I do think there’s a complexity to the whole question of racism that I’m not going to address productively by demanding an old man to change his vocabulary so as not to wound my sensibilities. That man has lived and worked side by side with black people all his life. Let’s be real here: his daily life is in certain ways more integrated than the new music scene in New York City, uptown, downtown, or midtown. That’s part of the reason I’m not in New York right now, I’m trying to get some perspective on my own provincialism.
But it’s easy to be shocked. I am definitely not at home. Black or white, rich or poor, in one way or another, I am aware that I am an outsider, I do not really fit in here anywhere. Which is why hanging out with Mark and Stephanie is very welcome right now. It feels like a break from constantly negotiating my own otherness.
Monday morning, I drove down to Rosedale and headed first to the library, where Martha the librarian gave me an excellent orientation to the town and its history. Turns out this area was a big center for making moonshine during Prohibition — instead of the requisite cannon displayed in front of the State Park visitor center, there’s a whiskey still. The most famous moonshiner was a guy named Perry Martin, who was the son of a successful rice farmer, and had trained for the ministry. He lived on a houseboat on the river side of the levee, and had a bunch of stills set up on Big Island. He eventually built a house on the dry side of the levee, got sick the first night he slept there and never did again. But he would come over the levee every day for lunch with his wife.
I camped out for two nights like Perry Martin, on the river side of the levee, in the state park. The weather is beautiful–clear and warm–and I can sleep in the hammock without the tarp over me, so I get to look at the stars as I fall asleep, and wake up with the dawn. I’ve been doing a good deal of reading: finally got to Lanterns on the Levee, which is a heartbreaking book. The wisdom and the wrongness are so inextricably interwoven, there’s no way to pull them apart. And it’s not just that Will Percy is a white supremicist aristocrat living past his time, it’s also that he is so obviously a closeted self-lacerating gay man who knows he will never live up to his father’s standards. It is a tragic and awful book, but it is beautiful. Read it and weep.
The towns here are hideously far apart: to find an internet cafe, I had to drive 35 miles to Cleveland, where there’s a great coffee place in an old gas station, they roll up the garage doors and you sit in the former repair bay as if it were a terrace.
On Wednesday, I drove down a bit, past the town where Baby Doll was filmed, up to the levee and then biked around the area where the levee broke in the 1927 flood. There were No Trespassing signs everywhere, and I was spooked into imagining someone might shoot me for ignoring them, so I loaded the bike back on the car and drove down into Greenville, which, like all these Delta downtowns except maybe Cleveland, the college town, seems at first glance to be in such a state of decay and poverty that you can hardly imagine how people continue to live here. The buildings in best repair downtown are the churches, including the one built by Will Percy’s Dutch tutor and priest with his own money, (see pp. 86-91 of Lanterns on the Levee), and the synagogue (there has always been a thriving Jewish population in Greenville), and the First AME, which has been visited by Langston Hughes and Leontyne Price (and Herbert Hoover during the flood.)
I had made a plan to meet up with the musician and ethnomusicologist Mark Howell and his wife, Stephanie, at the BB King Museum in Indianola, so I drove out the back way through Leland, site of the old Percy plantation, where there is now quite a nice town with houses along a bayou, and arrived in time to meet up with Mark and Stephanie and hear an interesting panel discussion about this book. Afterwards, Mark and Stephanie and I had dinner and headed over to Lake Village, which is the town across the river from Greenville on the Arkansas side. Mark, with the help of his father and brother, has built a house right on Lake Chicot, based on a design adapted from excavation data for a Mississippian-era house in the Delta. It is a totally great place, surrounded by just enough trees to feel cozy but not obscure the view of the lake. And the light is gorgeous! I went down to the dock and watched the sun set into the lake while having a fine long call with Despina in Athens, and a little gray cat came and sat on my lap and sang a song to me, and I am very happy to be here.
I didn’t leave the River Museum in Tunica until long after it had officially closed, so I ended up staying in Tunica overnight, since, as in most gambling towns, the motels are super-cheap. The next morning I got in touch with John Ruskey, one of the masters of the Mississippi, a musician and painter and the proprietor of the Quapaw Canoe Company in Clarksdale. Most of you probably know Clarksdale as a famous crossroads of the blues, there’s a Delta Blues Museum here, and Morgan Freeman is one of the co-owners of the Ground Zero Blues Club. For river people, John Ruskey is another huge draw for Clarksdale. When I had my adventure in Fort Madison, John — who I had not yet met — wrote to reassure me that the river code precluded theft, and he was of course right about that. I’ve been looking forward to meeting John for weeks, and when I woke up in Tunica and looked at the map, I realized it was finally time!
John was heading out to gather a log (one of his projects is to craft dugout canoes with schoolkids in Helena, how cool is that?!), and I told him I was thinking of biking to Friar’s Point, so he invited me to park my car at his shop and left me a map with directions for a good route. I rode out to Friar’s Point through fields that go on for miles with vistas of sky and clouds that make me think this, too, should be called Big Sky country, along with Montana. Friar’s Point is a tiny little town on a sort of promontory of one of the meanders of the river. David told me that Conway Twitty’s father used to pilot the ferry there, but my main reason for wanting to bike out there was the description of the girl in Robert Johnson’s Traveling Riverside Blues, one of the hotter songs ever recorded.
David had told me there was a museum in town, by appointment only, but when I got there it was open. I walked in and was greeted by a man named Sonny Pharis, who showed me various treasures among an impossibly varied array of stuff. I particularly liked this pitchfork, and these old gas pumps of a sort I had never seen (pre-electric), but there was much much more: old dentist chairs and miscellaneous medical tools, Indian artifacts, booty taken from the Nazis in WWII, a collection of very fancy hats.
Sonny told me he wished he could go with me on my journey, and I would have been happy for him to join me. He was a lovely man, and he made me remember Stephen King’s beautiful short story, Mrs. Todd’s Shortcut. (For the moment, you can read it here.) As I was leaving, Sonny told me he would remember me forever and asked if I would do the same. I will remember you forever, Sonny. For sure.
On the way home, I rode past the Stovall Plantation, where Muddy Waters grew up and where Alan Lomax first recorded him in 1941. I am probably just imagining things, but I begin to feel as if the music is growing right out of the ground. There’s something really powerful going on around here.
We drove through Forrest City on the way to St. Francis National Forest because I was curious to see the town, which had been described to me as one of the most segregated places in America. The downtown is a ghost town almost on the level of Cairo, but with this hopeful spray-painted message on a downtown building and a very excellent mural of a modern-dress St. Francis feeding the birds at the courthouse.
The ride through St. Francis Forest was the best biking day I’ve had on the trip so far. The road starts by wending past an excellent lake, where various folks were fishing, including Maurice, a very kind man, who expressed delighted amazement at my journey. “And you like camping, too?! You’re from New York City, you’re supposed to be shopping!”
The road turns to gravel and is more varied than most Delta roads because it follows Crowley’s Ridge. There are farms nestled back here, but it is mostly woods: deep ravines and trees festooned with vines. I kept expecting a snake to drop down from one of the vines onto my shoulders, but thankfully that didn’t happen. I like Vermont snakes, the snakes out here are way too scary. As the road gets closer to the river, you end up in the swamps, with cypress trees growing out of the water, and the sound of birds and frogs and insects is almost overpowering. I rode out to the mouth of the St. Francis River, where it meets the Mississippi, and I heard a woodpecker tapping in the trees. I don’t know if it was the famously elusive Ivory-Billed Woodpecker. But since I didn’t see it, I’m free to imagine it was…
At one place in these swamps, there was suddenly a sign for the Louisiana Purchase Baseline Survey. Turns out this exact spot in the wilds of eastern Arkansas swamps is the point from which the entire Louisiana Purchase was measured. You got to start somewhere, why not here?!
Eventually the road comes out in the northern part of Helena, but not before passing two cemeteries: the first is pretty derelict: a bunch of falling stones on a dark and wooded hillside. The second is the Confederate Cemetery, where David greeted me with a bag of pecans he had gathered while he was waiting for me to arrive.
We drove into town and visited the Blues Museum in downtown Helena. I like this harmonica holster a lot.
Today I finally started down the river again, with David as my companion and helper. We crossed the river over to Arkansas, the eighth of the ten states on the river, and I started out biking along the levee. The Army Corp leases the land surrounding the levee to farmers, so I encountered many cows and some horses grazing below me, and long long vistas of farmland, mostly cotton fields. About every half mile there were fences to demarcate the different fields, so I would lindy the bike under the fence each time. At one point, there was a man in a pickup truck waiting as I rode up to the fence. I was afraid he was going to yell at me and order me off the levee, but instead he asked me how I was planning to get the bike past the fence. I looked, and indeed it was lower to the ground than any of the previous ones had been, too low for me to get the bike through. So he got out of his truck and told me to lift the bike up to him and hefted it over the fence for me, and after asking how far I was going, and wishing me luck, he drove off into the endless delta. As I began biking again, I really began to wonder if he had been an apparition. I mean, it’s pretty unpeopled out here. I hadn’t seen anyone for miles, and suddenly at the moment I was going to need help even though I didn’t know it yet, there was someone waiting to help me.
Eventually the road was close enough to the levee that I decided it would be okay to bike along the road and skip the drill with the fences. This country is flat! I don’t think I’ve ever ridden so far with so little elevation change. I really enjoyed the ride, there’s something delightful to me about where my mind gets to go when I do long stints of not-very-hard exercise. On more varied terrain, biking is hard enough work that I don’t usually have a chance to get into that meditative state, but here you can ride for miles and miles without really working very hard physically, so your mind is free to range. After a while I rode past a tidy resort community called Horseshoe Lake, where virtually every other house was for sale (clearly the economic crisis is hitting hard here), and down very close to the river, where I stopped to meet up with David. As we were hanging out there on the levee, two women drove up and asked us about the kayak and the trip: it turns out one of the women is the mayor of Horseshoe Lake, gotta love it!
After about five hours of biking, I put the bike up on the rack and we drove on this wacky back road to Helena and across the bridge and back up on the Mississippi side, and up to Tunica for excellent fried green tomatoes and fried okra and fried chicken, and back to Memphis and my comfortable bed with Fred the cat. I want to bike that back road for the next leg of the journey, for sure!
Even though it was still rainy, we headed back up to Tiptonville Friday and I did a good long ride, mostly through open farmland, ending up pretty sodden and very grateful for the excellent shower at Fort Pillow State Park, where we stayed for two nights. Mary did the biking Saturday, and I spent the day driving around and checking out various towns (Ripley, Henning, Covington) looking for an open library or internet cafe, pretty much fruitlessly. These are the closest towns to the river around here, but they are all a good ten to twenty miles away from it, I guess because floods and earthquakes make it too unstable to site a town any closer. Towns that are right on the river can only add sprawl on one side, so if you keep your orientation to the river, you can travel for weeks without having to encounter McDonalds and Taco Bell. But these towns, even though they have an old town center that feels specific and real, are surrounded by Walmart and Pizza Hut sprawl in every direction, enough to make you weep.
Sunday morning, we explored Fort Pillow State Park, taking a hike up to the old fort, which has been reconstructed, and spending some time in the interpretive center. The battle here is notable because the Confederates, led by Nathan Bedford Forrest, massacred Union soldiers after they surrendered, because Forrest did not want to treat integrated troops according to the rules of war.
Here is a statement by the Confederate Secretary of War at the time: “I doubt, however, whether the exchange of negroes at all for our soldiers would be tolerated. As to the white officers serving with negro troops, we ought never to be inconvenienced with such prisoners.”
After the war, Forrest reportedly became the first Grand Master of the Ku Klux Klan. And all around these parts you can find memorials to him: Forrest Park in Memphis, Forrest State Park near Camden, Forrest City in Arkansas, Forrest County in Mississippi, and various statues and obelisks and markers sprinkled in government buildings and public places all over the south.
Call me an insensitive northerner if you like, but I really need help understanding how it is okay to have kids going to Nathan Bedford Forrest High School. Do we have Lieutenant Calley High School? How about a Specialist Charles Graner Park?