photo credit: H. C. Porter
Eve Beglarian "is a humane, idealistic rebel and a musical sensualist."^ "One of new music's truly free spirits,"* and a "remarkable experimentalist,"+ she is a composer, performer, and audio producer whose music is "an eclectic and wide-open series of enticements."^
Much of her recent music has been inspired by a four and a half month journey she took down the Mississippi River by kayak and bicycle in 2009, which is documented on her RiverBlog.
Her chamber, choral, and orchestral music has been commissioned and widely performed by the Los Angeles Master Chorale, the American Composers Orchestra, the Bang on a Can All-Stars, the Chamber Music Society of Lincoln Center, the California EAR Unit, the Orchestra of St. Luke's, Relâche, the Paul Dresher Ensemble, Sequitur, loadbang, the Guidonian Hand, Newspeak, the Ekmeles Vocal Ensemble and individual performers including Maya Beiser, Sarah Cahill, Lauren Flanigan, Marya Martin, and Mary Rowell.
Highlights of Beglarian's work in music theater includes music for Mabou Mines' Obie-winning Dollhouse, Animal Magnetism, Ecco Porco, and Choephorai, all directed by Lee Breuer; Forgiveness, a collaboration with Chen Shi-Zheng and Noh master Akira Matsui; and the China National Beijing Opera Theater's production of The Bacchae, also directed by Chen Shi-Zheng. She has collaborated with choreographers including Ann Carlson, Robert LaFosse, Victoria Marks, Susan Marshall, and David Neumann, and with visual and video artists including Cory Arcangel, Anne Bray, Vittoria Chierici, Barbara Hammer, Kevork Mourad, Shirin Neshat, and Judson Wright.
For more information about Eve Beglarian, please visit www.evbvd.com.